UPC: 093624513018
Format: LP
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Engineer: Alvin Speights, Michael O'Reilly.
Aretha Franklin's performance of "Someday We'll All Be Free" was nominated for a 1994 Grammy Award as "Best R&B Vocal Performance, Female."
Co-produced by Spike Lee and Quincy Jones, and released on Jones' label, the soundtrack to Lee's Malcolm X includes a number of artists contemporary to Malcolm X's movement, as well as his growing-up years, to some degree. The album is primarily notable for the quality of the jazz presented (Lionel Hampton's arguably best-known song, Billie Holiday, Ella Fitzgerald, Duke Ellington, John Coltrane...). As though that weren't enough, there's also a good dosage of jump blues in Big Joe Turner, Louis Jordan, and Ray Charles. Also, two new tracks were written/performed specifically for the album, Arrested Development's "Revolution" (made soon after their success with 3 years, 5 months..., and prior to their commercial failure in Zingalamaduni) and Aretha Franklin's "Someday We'll All Be Free." This is quite a black-based album (as well it should be, given the subject), and some of the best of black music from the times encompassed by the movie is presented. Even aside from any ties to the movie, the album makes for a nice little compilation of pre-bop jazz and blues. ~ Adam Greenberg
Aretha Franklin's performance of "Someday We'll All Be Free" was nominated for a 1994 Grammy Award as "Best R&B Vocal Performance, Female."
Co-produced by Spike Lee and Quincy Jones, and released on Jones' label, the soundtrack to Lee's Malcolm X includes a number of artists contemporary to Malcolm X's movement, as well as his growing-up years, to some degree. The album is primarily notable for the quality of the jazz presented (Lionel Hampton's arguably best-known song, Billie Holiday, Ella Fitzgerald, Duke Ellington, John Coltrane...). As though that weren't enough, there's also a good dosage of jump blues in Big Joe Turner, Louis Jordan, and Ray Charles. Also, two new tracks were written/performed specifically for the album, Arrested Development's "Revolution" (made soon after their success with 3 years, 5 months..., and prior to their commercial failure in Zingalamaduni) and Aretha Franklin's "Someday We'll All Be Free." This is quite a black-based album (as well it should be, given the subject), and some of the best of black music from the times encompassed by the movie is presented. Even aside from any ties to the movie, the album makes for a nice little compilation of pre-bop jazz and blues. ~ Adam Greenberg
Tracks:
1 - Revolution
2 - Roll 'Em Pete
3 - Flying Home
4 - My Prayer
5 - Big Stuff
6 - Don't Cry Baby
7 - Beans and Cornbread
8 - Azure
9 - Alabama
10 - That Lucky Old Sun Just Rolls Around Heaven
11 - Arabesque Cookie
12 - Shotgun
13 - Someday We'll All Be Free
2 - Roll 'Em Pete
3 - Flying Home
4 - My Prayer
5 - Big Stuff
6 - Don't Cry Baby
7 - Beans and Cornbread
8 - Azure
9 - Alabama
10 - That Lucky Old Sun Just Rolls Around Heaven
11 - Arabesque Cookie
12 - Shotgun
13 - Someday We'll All Be Free